In 2010 Vergil Sharkya’ finished a major research project in composition for his doctoral degree at Liverpool’s John Moores University, developing a complete theory of hypercomposition, featuring as well examples of its practical application.
His most recent hypercomposition — aTTAK, for piano, suspended toy piano, and digital instruments —, was commissioned for and performed at the opening of the Aufbau Haus, Berlin, in September 2011.
Vergil is also a well established composer/musician in the fields of improvised music, multimedia installations, post-modernist composition, scores and soundtracks for film, theatre and dance, composition and arrangements for orchestras, soundscapes, psychedelic noise rock, drum’n’bass, dub, and even academic research.
He has released several recordings on various labels like Cuneiform Records, UKsupersonict and VergilReality Recordings.
Since moving to Montréal in July 2010, he has been working mainly but not exclusively in the field of improvised music with musicians such as Jean Derome, Michel F Côté, Simon Pagé, Augustus Martin, Ellwood Epps, Philippe Battikha, as well as with writers Martin Lamothe, and Serge Rivest Martimots. He currently spends his spare time cooking, doing housework for his lovely family and learning how to play jazz.